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Entries Tagged as 'performance art'

Artist Playlist—Regina Frank Listens to Joan Jonas

September 16th, 2019 · Comments

This episode is part of our Playlist series. We’re inviting artists, curators, architects, filmmakers, cultural producers and other listeners to share favorites from the archive.

Based in Lisbon, German born artist Regina Frank has shown her work in New York, London, Los Angeles and Tokyo, among other cities globally. In recent projects, she explored environmental issues in performative installations at the Museum of Art Architecture and Technology, Lisbon, and BioArt 2018, Seoul, South Korea.

Here, Regina Frank introduces our conversation with renowned video and performance artist Joan Jonas, an episode first released on June 5, 2012.

Revisiting this episode is a moment to celebrate the latest chapter in Joan Jonas’s remarkable career. She represented the United States at the 56th Venice Art Biennale. In 2019, Jonas returns to Venice with an immersive, multimedia installation. Moving Off the Land II is the first public project in Ocean Space, a new global oceanic center in the restored Church of San Lorenzo.

Regina Frank writes: I have been listening to Fresh Art since Cathy Byrd launched the podcast in 2011. One episode that I love features Cathy’s conversation with artist Joan Jonas. In 1991, I met Joan Jonas for the first time. She gave a lecture at the University of the Arts in Berlin. What a wonderful artist! I am fascinated and inspired by her creative approach to combining video, performance and drawing. She saw my work and suggested that I speak to the new museum of contemporary art in New York. They gave me their window and the cover of their newsletter and catalogue a few months later, which marked the beginning of my own career, in 1992. While I was in Venice for the 58th Art Biennale, I spent hours exploring Joan Jonas’s great project in the Church of San Lorenzo. I watched every video from beginning to end.

Sound Editor 2019 Anamnesis Audio | 2012 Leo Madriz

Special Audio: Jason Moran, “He Takes His Coat and Leaves”

Feature photo: Joan Jonas, Moving Off the Land II, Ocean Space, Venice, 2019, courtesy TBA21 Academy

Related Episodes: Joan Jonas on The Shape, The Scent, The Feel of Things, Art with a Sense of Placed, Part One, Regina Frank on Performing at the Intersection of Art and Technology

Related Links: Joan Jonas, Ocean Space

 

Tags: contemporary art · art biennial · 56th Venice Art Biennale · performance art · international biennial · Artist · Jazz · Museum of Contemporary Arts Houston · environment · performance · music · dance · political art · architecture · architectural intervention · political performance art · environmental installation · art podcast · history · venice · venice art biennale · technology · art tech

Sounds of the 57th Venice Art Biennale Revisited

June 3rd, 2019 · Comments

Venice is proven as a top destination for international contemporary art. The 58th Venice Art Biennale opened on May 11, 2019, and will be on view for the next six months. Thank you to Philadelphia-based art historian Deborah Barkun for contributing views from Venice on Instagram. Follow her encounters @freshartintl.

Today, we revisit a selection of sonic encounters at the 57th Venice Art Bienniale, when Italy was the first stop on a six-week Fresh Art International field expedition. In May 2017, preview days for the global exhibition presented an ephemeral opportunity to record the voices of curators, artists, and sounds of installations, performances and events. This episode features our experiences in the pavilions of France, Germany and Nigeria, and our walk through Egyptian artist Hassan Khan’s outdoor sound environment. Artist Carolee Schneemann (1939-2019) was honored with the Golden Lion for lifetime achievement at the 57th Art Biennale. In her memory, we share the conversation we recorded with Schneemann just days before we watched her accept the prestigious award at the opening ceremony.

Sound Editor Guney Ozsan | Special Audio: French Pavilion—pianist Federico Tibone, vocalist Farrah el Dibany, experimental media artist duo My Cat is an Alien; German Pavilion—Vernissage TVfield recording,  Billy Bultheel's musical composition for Faust; Nigerian Pavilion—performance by choreographer and dancer Qudus Onikeku; Hassan Khan, Composition for a Park, ambient recordings by Andrew Russeth and Fresh Art International

Related Episodes: Samson Young: Songs for Disaster ReliefLisa Reihana on Reversing the Colonial GazeMonument to Decay: Israeli Pavilion in VeniceMark Bradford Connects Art with the Real World

Related Links: Venice Art BiennaleFresh VUE 57th Venice Art Biennale

About the 57the Venice Art Biennale: Christine Macel curated the main exhibition Viva Arte Viva, described as a “Biennale designed with artists, by artists and for artists.” Macel called it an Exhibition inspired by humanism. For her, direct encounters with the artists assumed a strategic role. Of the 120 invited artists, 103 were participating for the first time.

About Carolee Schneemann: Starting as a painter in the 1950s, in the 1960s, the artist began using her own body as material in experiments with film, music, poetry, dance, and performance. Her fearless artmaking explored body, narrative, sexuality and gender, in ways that challenged cultural and political taboos.

Tags: Fresh Talk · contemporary art · sound art · sonic environment · performance art · international biennial · podcast · installation · performance · political art · art podcast · biennial · venice · venice art biennale

Art with a Sense of Place - Part Two

February 11th, 2019 · Comments

Art with a Sense of Place considers creative projects that respond to a physical space and those that react to or embrace a historic moment, a cultural environment, a socio-political tension, or a psychological space.

Emerging in the 1960s, site-specific art sought to transcend what was perceived as the over-curated, almost clinical context of the art museum. Artists rebelled by creating their own exhibition sites (Agnes Denes brought a Wheatfield to a New York City landfill). Some flaunted the rules of museum installation with live interventions (Joseph Beuys lived in a Soho gallery with a live coyote).

Our series of episodes on site sensitivity brings a broader range of cultural production into the conversation, exposing new ways of seeing place, space, and site in contemporary art.

Art with a Sense of Place, Part II, highlights conversations featured in the second issue of the Fresh Art International Smart Guide. We produce the guide as a series of downloadable pdfs. Each issue delves into a different theme—through select episodes, transcriptions and links to research that informs our podcast.

Sound Editor: Anamnesis Audio

Related episodes: Agustina Woodgate, Louis Grachos, Adam Schreiber, Tania Bruguera

Related link: Smart Guide, Issue 02 Art with a Sense of Place

Tags: contemporary art · Cuba · artist residency · public art · photography · internet · activism · Havana · performance art · Tania Bruguera · Artist · invisible communities · Austin · Texas · podcast · installation · environment · performance · community · political art · political performance art · art podcast · exhibition

Creative Time Summit 2018 to Explore Miami Culture

October 22nd, 2018 · Comments

Creative Time, the force behind ambitious public art projects in New York City and beyond, takes its annual summit to Miami in 2018. We invite Creative Time director Justine Ludwig to talk about the focus of this year's convening.

On Archipelagos and Other Imaginaries—Collective Strategies to Inhabit the World is the poetic title and subject of the 2018 Summit, with the idea of coalition as a central theme. Thinkers, dreamers and doers working at the intersection of art and politics gather to consider issues ranging from immigration and borders to climate realities, notions of intersectional justice, gentrification and tourism as an enabler for neocolonialism.

A portal to the Caribbean, Latin America and the entire world, Miami is the perfect context for such conversations. The City's creative community is ready—not only to share local challenges and their own site-sensitive initiatives, but also to welcome fresh perspectives on how art and activism might address these global concerns.

Sound Editor: Anamnesis Audio | Special Audio: Krudas Cubensi, Mi cuerpo es mio, Haus of Shame via Amal KioskBrigada Puerta de TierraNástio Mosquito, Hilário

Related Episodes: Cultural Complexity in Little HaitiArt and the Rising SeaThe BLCK Family of MiamiModern Portrait of Black FloridaDiaspora Vibe: Art with Caribbean RootsCaribbean Arts Remix MiamiTania Bruguera on Art ActivismCesar Cornejo on Architectural InterventionMary Mattingly on Human RelationshipsGlexis Novoa on Cuba's PastLive from Dominican Republic with Tilting AxisLive from Trinidad: Where Digital Culture ThrivesPublic Art and the UnderlineArtist Residency in the EvergladesArt and the Environment at Deering Estates

Related Links: Creative TimeCreative Time Summit 2018Miami-Dade County Art in Public PlacesJohn S. and James L. Knight Foundation

Creative Time Summit Miami is co-presented with Art in Public Places of the Miami-Dade County Department of Cultural Affairs, with leading support from the John S. and James L. Knight Foundation.

Tags: · Fresh Talk · contemporary art · Miami · film · public art · identity · activism · performance art · Artist · invisible communities · project · curator · black culture · black art · podcast · writer · community · drag · political art · political performance art · environmental installation · art podcast · history · women's rights

Black in America

September 3rd, 2018 · Comments

What does it mean to be Black in 21st century America? The expression of Blackness in art has a history of intricate connections to civil rights and social movements. In the United States and abroad, painting and drawing, filmmaking and photography, performance and protest have long represented diverse creative perspectives on the volatile subject of race and identity in this country.

Today, we hear from curators and artists whose work directly engages with race and American identity. Individually and collectively, they generate “freestyle” expressions of Blackness—revealing that no matter how history influences the Black cultural space, identity remains a fluid form in the hands of contemporary artists.

Sound Editor: Anamnesis Audio | Photos courtesy of featured artists and the Renaissance Society

Featured Audio: Thelma Golden at Crystal Bridges Museum of American ArtHamza Walker, Black Is, Black Ain't Symposium, Renaissance SocietyJohanne Rahaman field recordings in South FloridaTheaster Gates at Katzen Arts Center, American UniversityTheaster Gates performs at Huguenot House in Kassel, Germany, for documenta 13Sanford Biggers, BAM (For Michael)Fahamu Pecou, All that Glitters Ain't GoalsAmy Sherald at Monique Meloche Gallery, Chicago 

Related Episodes: Modern Black Portrait of FloridaJefferson Pinder on Symbols of Power and StruggleTheaster Gates on Meaning, Making and ReconciliationSanford Biggers on Time and the Human ConditionAmy Sherald on New Racial NarrativesFahamu Pecou on Art x Hip-Hop

Related links: Thelma GoldenStudio Museum of HarlemFreestyleHamza WalkerBlack Is, Black Ain'tJohanne RahamanJefferson PinderTheaster GatesSanford BiggersAmy SheraldFahamu PecouDeborah Roberts

Tags: · Fresh Talk · contemporary art · public art · identity · activism · performance art · Artist · curator · Theaster Gates · black culture · black masculinity · black art · podcast · community · music · Chicago · political art · political performance art · art podcast · exhibition

Art of the Everyday

July 9th, 2018 · Comments

 

What happens outside the art scene inspires many of today’s curators, filmmakers and artists. They mine the conceptual depth of personal and communal rituals and routines. Community gardens, shared ride systems, public processionals, weathervanes, home improvement projects, live streaming radio and selfies on the internet are just a few of the subjects and sites of their research, commentary and engagement. Projects that elevate our view of the everyday reveal life as an art form—translating the mundane into the extraordinary.

Sound Editor: Anamnesis Audio | Special Audio: Camionnette Chérie,  original sound by Claudette et Ti Pièrre; TET CHAJE, mix by Michelange Quay; David Walters, Mesi Bondye; Yosvany Terry, Conga Reversible

Related Episodes:

Marcus Gammel (2107), Skulptur Projekte Münster 2017, Sounds of Miami Art Week (2016), New Performance Art (2016), Cesar Cornejo (2015), Jllian Mayer (2014)

Related Links:

Giscard Bouchotte 

Tap-Tap Chéri  

Sculptors of Grand Rue, Haiti 

Ghetto Biennale 

Jeremy Deller 

Jeremy Deller, Skulptur Projekte Münster 2007/2017 

Cesar Cornejo 

rootoftwo

Whithervanes 

EN MAS’

Tide by Side 

Clair Tancons

documenta 14 Public Radio

Jillian Mayer

400 Nudes

Tags: · Fresh Talk · contemporary art · sound art · Cuba · Miami · public art · Montreal · internet · identity · Miami Art Week · Miami Beach · sonic environment · Havana · performance art · L'avenir · Montreal Biennial · Artist · invisible communities · project · curator · black culture · podcast · design · installation · environment · performance · community · music · dance · political art · architectural intervention · political performance art · art podcast · exhibition

Where Art Meets Activism

June 25th, 2018 · Comments

Activism has long been a way for artists and curators, writers and filmmakers to engage with global flashpoints, inspiring new perspectives on visible and unseen causes. Over the last century, public interventions, performative protests, and works created for public marches and events have led communities to participate in art experiences and make art themselves.

The Me Too Movement, Black Lives Matter, Dreamers and Climate Change Activists expose sexual harassment and assault, race-based violence, immigrant rights violations, and the impact of sea level rise. The issues have energized today’s culture production. Contemporary artists and curators increasingly lead and invite calls to action in response to these vital concerns.

Voices in this conversation: Andrea Bowers, Ralph Rugoff, Catherine Morris, Gary Carrion-Murayari, Manolis D. Lemos, Tania Bruguera, Maria Elena Ortiz, Maria Alyokina

Sound Editor: Julien Borrelli | Special Audio: Andrea Bowers, Manolis D. Lemos, Pussy Riot | Photography: Credits in captions

Related episodes: Andrea Bowers on Environmental ActivismRalph Rugoff on the 13th Lyon BiennialCatherine Morris and A Year Of YesTania Bruguera on Art ActivismMaria Aloykhina on Political Art

Related links: Agora, The Highline, New YorkElizabeth A. Sackler Center for Feminism Art, Brooklyn MuseumSongs for Sabotage, New MuseumSala de Arte Público Siquieros

Tags: · Fresh Talk · contemporary art · Cuba · public art · identity · activism · Havana · performance art · Plaza of the Revolution · Tania Bruguera · New York · Artist · invisible communities · project · curator · Radical Presence · podcast · environment · feminism · Lyon · France · community · Change · #blacklivesmatter · Pussy Riot · political art · punk performance · Russia · political performance art · art podcast · history · women's rights · feminist art · exhibition

Art Sparking Social Engagement

May 28th, 2018 · Comments

Curators and artists whose passion is social engagement share their experiments in relational aesthetics—participatory performances, interactive installations, community events, and inside/outside exhibitions—invite viewers to become co-creators, to take ownership in the creative process.

Curators Jochen Volz (São Paulo Biennial, Live Uncertainty, 2016), Susan Cross (Massachusetts Museum of Contemporary Art, Material World, 2010-2011, The Workers, 2011-2012), James Voorhies (Bureau of Open Culture, MASS MoCA, The Workers) and Stephanie Smith (SMART Museum of Art, FEAST, 2012, and Institute for Contemporary Art, Richmond, Declaration, 2018) share their perspectives, as do artists William Pope.L (Baile, 2016), Theaster Gates (Soul Food Pavilion, 2012) and Marinella Senatore (Estman Radio, ongoing).

Sound Editor: Anamnesis Audio

Special Audio:

William Pope.L, Baile, São Paulo Biennial
There Is Only Light (We Do Not Know What To Do With Other Worlds) performance-reading, July 2011, MASS MoCA. Produced by Bureau for Open Culture
Theaster Gates, FEAST, SMART Museum of Art, University of Chicago
Marinella Senatore and Estman Radio recording, courtesy Marinella Senatore and Virginia Commonwealth University Institute for Contemporary Art

Related Links:

Live UncertaintyMaterial WorldThe Workers: Precarity/Invisibility/Mobility, FEAST: Radical Hospitality in Contemporary ArtDeclarationEmily Hall Tremaine Foundation Exhibition AwardExhibitions on the Cusp

Tags: Fresh Talk · contemporary art · identity · activism · performance art · invisible communities · project · curator · Theaster Gates · black art · podcast · installation · performance · museum · community · Change · political art · architecture · architectural intervention · political performance art · art podcast · sao paulo biennial · history · exhibition · Live Radio

Miami’s Caribbean Arts Remix-Jolt Radio-2May2018

May 7th, 2018 · Comments

Today’s conversations on Miami’s Caribbean Arts Remix reveal the genesis and goals of the three-year old Third Horizon Film Festival and the first-ever Tout-Monde (all the world) Festival. Both initiatives aim to introduce some of the boldest of today’s emerging Caribbean-born artists, filmmakers and musicians in Miami, a portal to the international contemporary art and culture scene.
 
Sound editing: Anamnesis Audio

Tags: · Fresh Talk · contemporary art · Africa · Miami · film · photography · identity · activism · performance art · Artist · invisible communities · curator · black culture · black art · podcast · installation · performance · France · community · music · dance · political art · art podcast · history · art fair · exhibition · film festival · Live Radio

Studio Drift on Nature and Technology

January 4th, 2018 · Comments

Today we take you to the intersection of nature, art and technology to meet Amsterdam-based artists Ralph Nauta and Lonneka Gordjein of Studio Drift. They design their creative applications of new technology to make us question the lines we draw between humanity and nature, chaos and order. Presented during Miami Art Week 2017, Studio Drift's flying sculpture made of 300 lighted drones was especially provocative and poetic. The artists leave us believing in the unexpected potential for technology to feel natural.

Piano solo: Joep Beving

Tags: Fresh Talk · contemporary art · Art Basel Miami Beach · Miami · Miami Art Week · Miami Beach · performance art · podcast · performance · architecture · architectural intervention · art podcast · art fair · technology · art tech