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Entries Tagged as 'exhibition'

Art in Miami, Then and Now—with FeCuOp

April 7th, 2021 · Comments

In 2019, we recorded the first part of this story about the history of Miami's contemporary art scene inside Locust Projects, the longest running alternative art space in the city. Locust Projects director Lorie Mertes and artists from a collaborative known as FeCuOp—Jason Ferguson, Christian Curiel, Brandon Opalka, and Victor Villafañe, remember the raw energy of the 1990s. When we meet, the collective is in the midst of building out an immersive environment for Antenna, their first major project in Miami since 2003. The performative and interactive installation aimed to create a social experiment around communication.

In early 2021, we reach out to FeCuOp to talk about how much has changed since they collaborated on the highly interactive, live, and in-person experience at Locust Projects. Only months after they realized Antenna, the global coronavirus pandemic shut down the world for most of a year, profoundly altering how we encounter art.

Sound Editor: Anamnesis Audio | Special Sound featured with permission of FeCuOp 

Related Episodes: Where Art Meets Sand and Social Behavior, The BLCK Family of Miami on Collective Creativity

Related Links: Locust Projects, FeCuOp, Christian Curiel, Jason Ferguson, Brandon Opalka, Victor Villafañe, Miami Light Project

FeCuOp is a contemporary art collaborative established in Miami in 1997, by Jason Ferguson, born in Trinidad and Tobago, lives in South Carolina; Christian Curiel, born in Puerto Rico to Cuban parents, lives in New Haven, CT; Brandon Opalka, born in Virginia, lives in Colorado. The name constitutes an amalgam of the three founding artist’s names. FeCuOp along with new Miami-based member Victor Villafañe, are like the periodic table of elements; each member’s unique characteristics bring a unique variable property to every collaboration.

 

Locust Projects is an alternative art space founded by artists for artists in 1998. The arts incubator produces, presents, and nurtures ambitious and experimental new art and the exchange of ideas through commissioned exhibitions and projects, artist residencies, summer art intensives for teens, and public programs on contemporary art and curatorial practice.

Tags: contemporary art · sound art · curator · performance · community · exhibition · technology · art tech

Diaspora Art from the Creole City—with Rosie Gordon-Wallace

March 31st, 2021 · Comments

Now, more than ever, culture transcends geographic boundaries. In this episode, we explore the impact of that global phenomenon on the visibility of contemporary diaspora art.

From Jamaica, Rosie Gordon-Wallace is a globally recognized curator, arts advocate, and community leader based in Miami, Florida, since the 1970s. In 1996, Gordon-Wallace launched a transformative enterprise, now known as Diaspora Vibe Culture Arts Incubator.

DVCAI is a creative laboratory—promoting, nurturing, and cultivating the vision and diverse talents of artists from the Caribbean Diaspora, artists of color, and immigrant artists through public programs, residencies, exhibitions and more. In 2021, the organization will be 25 years old. We sit down with Gordon-Wallace to contemplate the significance of this moment. 

Sound Editor: Anamnesis Audio | Special Sound from The Philosopher's Stone, with permission of artist Asser Saint-Val

Related Episodes: Diaspora Vibe: Art with Caribbean Roots, Mapping Caribbean Cultural Ecologies, New Caribbean Cinema, Miami's Caribbean Arts Remix

Related Links: Diaspora Vibe Cultural Arts Incubator, Inter|Sectionality: Diaspora Art from the Creole City, Donette Francis, Rosa Naday Garmendia, Evelyn Politzer, Chantal James, Asser Saint-Val, Michael Elliott, The Windrush Generation, Corcoran School of the Arts and Design, Harvey B. Gantt Center for African-American Arts+Culture, Miami Design District

A traveling exhibition that celebrates DVCAI’s 25th year, Inter | Sectionality: Diaspora Art from the Creole City is a multidisciplinary curatorial collaboration and exploration of the emergence of the “Creole City” as a local, regional and global phenomenon. Internationally recognized curators Sanjit Sethi, President, Minneapolis College of Art and Design and former director of the Corcoran School of the Arts and Design, and Rosie Gordon-Wallace, founder and curator of Diaspora Vibe Cultural Arts Incubator (DVCAI), designed this collaboration to provide a lens through which communities and community leaders internationally can begin to better understand themselves, their diversity and their unlimited possibilities.

In 2019, Inter | Sectionality: Diaspora Art from the Creole City was presented in our nation’s capital at a time when diaspora artists and voices were challenging social justice, celebrating identities—reactivating and bridging communities through contemporary art and scholarship. The complexities and diversities represented in this exhibition are emergent and, in many cases, ascendant across the world.

In 2020, the exhibition travelled to the Harvey B. Gantt Center for African-American Arts+Culture in Charlotte, North Carolina. In 2021, Inter | Sectionality came home to the Design District, in Miami, Florida.

Tags: contemporary art · activism · curator · black culture · black art · community · political art · exhibition

Puerto Rico Rising—Resisting Paradise

February 24th, 2021 · Comments

In the U.S. territory of Puerto Rico, the struggle to survive is real. Natural disasters, a failing economy, corrupt leadership, and the legacy of colonialism in the Caribbean are among forces that challenge sustainability and sovereignty. Outside investments in tourism have had the effect of disenfranchising locals and fragmenting the island’s creative community. San Juan born and based, curator Marina Reyes Franco has a lot to say on this subject. Her research, writing, and curating illuminate the powerful impact of the burgeoning visitor economy.

 

In 2019, three years after Hurricane Maria, we venture to Puerto Rico for the opening of Resisting Paradise, an exhibition Reyes Franco organized with the support of Apex Art, New York. Jamaica born artists Leasho Johnson and Deborah Anzinger, and artist Joiri Minaya, from the Dominican Republic, show work engaging at the intersection of tourism, sexuality, gender, music and the internet. We record this episode inside Espacio Pública, a newly established culture space, in San Juan’s Santurce district. 

 

This segment of our Puerto Rico Rising series revolves around creative resistance to foreign fantasies of ‘paradise.’ The conversation exposes a few of the complex histories and current conditions that inform contemporary art in Puerto Rico and the greater Caribbean. 

 

Voices in the episode: Naima Rodriguez, Marina Reyes Franco, Leasho Johnson, and Joiri Minaya

 

Sound Editor: Anamnesis Audio

 

Related Episodes: Puerto Rico Rising—Radical LeadersPuerto Rico Rising—Resilient Artists, The Awakening, Juan Botta Makes One-Minute Movies in Puerto Rico, Edra Soto on the Architecture of Connecting Communities, Mapping Caribbean Cultural Ecologies

 

Related Links: Resisting Paradise exhibition, Espacio Pública, Deborah Anzinger, Leasho Johnson, Joiri Minaya, apex art, Marina Reyes Franco, ATLAS SAN JUAN: TROPICAL DEPRESSION, Art in America, Oct 1, 2018.

Tags: contemporary art · activism · painting · curator · community · portraiture · political art · exhibition

The Art of Collecting—with Don and Mera Rubell

April 1st, 2020 · Comments

Today, we’re in Miami, to introduce you to Don and Mera Rubell, art collectors since 1964. We recorded with the Rubells in December 2019. Since then, the coronavirus pandemic has shaken our planet. We recognize the very real sense of before and after as we share these conversations about creativity.

Today’s episode conveys the excitement that surrounded the opening of the Rubell Family’s new museum. From March 17, 2020, the collection has been closed until further notice, as South Florida awaits the all clear to safely resume public life.

The Rubells started collecting when Don was in medical school and Mera was a preschool teacher. The first work they collected was by Ira Kaufman. They paid for it in weekly installments of $25. Collecting art ever since, they’re joined by their son Jason, who became a collector himself as a teenager. They’ve become known for supporting the work of emerging and overlooked artists. Pursuing their passion in person, they visit studios, museums, fairs, galleries and biennials across the globe. Research and relationships are vital to each acquisition. 

In 1993, they opened the Rubell Family Collection in Miami’s Wynwood District. Over the next two decades, the value of real estate in the neighborhood soared. The collection outgrew their 40,000 square foot space, a former Drug Enforcement Administration warehouse they had turned into an art venue. The Rubells started looking for storage nearby. An abandoned food-processing plant by the railroad tracks less than a mile away sparked the idea of creating a museum.

The 100,000 square foot warehouse complex in the Allapattah district became the spacious new home for their collection. Architects transformed the seven buildings into an epic space for more than 7,000 works by over 1,000 artists. 

On the eve of the museum opening, we join a private tour with Mera, Don and Jason…A wall-sized painting by Kehinde Wiley, two of Yayoi Kusama’s infinity rooms, and Keith Haring's Statue of Liberty are just a few of the large-scale works that have room to breathe here.

Sound Editor: Anamnesis Audio

Related Episodes: Paint and Pixels Power the Art of Allison Zuckerman, Art and Our Uncertain Future, The Art of Collecting—with Erika Hoffmann

Related Links: Rubell Museum, Yayoi Kusama, Kehinde Wiley, Keith Haring, Amoako Boafo, Allison Zuckerman, Ira Kaufman

Tags: · · contemporary art · curator · art collection · museum · exhibition

OCAD University—Curating in the Digital Realm

March 6th, 2020 · Comments

Today, we take you to Toronto. We’re here to meet a group of graduate students at the Ontario College of Art and Design University, also known as OCAD. For the Intro to Curatorial Practices course, their goal is to research, develop and activate an exhibition in the digital realm. Recorded in the first weeks of the semester, our conversation reveals how the students are defining their roles and designing their strategy for curating an online platform. 

In the months following our campus visit, the students forged an interdisciplinary curatorial collective. In December 2019, they launched the exhibition titled connection_found. Online now, works by seven artists illustrate the quirks of navigating intimacy on the web. “At the core of the exhibition,” writes the collective on their website, “connection_found simultaneously expands, individuates, and links the collective experience of existing on the internet.”

OCAD University—Curating in the Digital Realm is one of our 2020 Student Edition episodes.

Sound Editor: Anamnesis Audio | Photography: FreshArtINTL

Related Episodes: SAIC—Imagining Tomorrow, Wayne State—Designing for Urban Mobility

Related Links: Criticism and Curatorial Practice Program, Ontario College of Art and Design University, connection_found

Intro to Curatorial Practices, a graduate seminar in the Criticism and Curatorial Program at OCAD University, introduces students to the major critical texts, theories and debates in the burgeoning international field of contemporary curatorial studies. Simultaneously throughout the seminar, students attend public exhibitions, screenings, lectures, performances and events in Toronto's visual art and design worlds. An ongoing examination of contemporary art and design practices within public culture provides students with an eclectic and critical mapping of the layers and intersections of the visual arts, media and design in relation to their varied publics, audiences, markets, the mass media and the scholarly community. 

connection_found is an online group exhibition organized by feelSpace featuring works by Ronnie Clarke, Taylor Jolin, Leia Kook-Chun, Madeleine Lychek and Paula Tovar, Noelle Wharton-Ayer, and Becca Wijshijer. Together, these works trace and re-trace digital intimacy, touch, and the body as it moves and navigates towards the virtual realm. More literally, connection_found suggests the curatorial alignment of these works in a digital context which, in and of itself, requires finding connection. Source: feelspace.cargo.site.

Andrea Fatona, Associate Professor, Faculty of Art and Graduate Program Director, Criticism and Curatorial Practice, is an active curator. Her areas of focus are culture, cultural policy formation, cultural production, nation making, citizenship and multiculturalisms. In the classroom, she engages students in thinking about issues around equity and diversity in the context of art.

The Student Edition began in 2019, with visits to art schools and universities in the United States and Canada, where we began recording voices of the future. In 2020, we present the first episodes in our Student Edition—conversations about creativity with emerging makers and producers. Given opportunities to explore and experiment, students are discovering how they can shape the world they live in. What issues and ideas spark their creative impulse?

Tags: · · · curator · exhibition · technology · art tech

Experts Guide to Miami Art Week 2019

November 19th, 2019 · Comments

Today, we take you to meet three globally engaged, Miami-based contemporary art experts. Ombretta Agro Andruff, Tami Katz-Freiman and Kathryn Mikesell are here to help you navigate the city and enjoy the intense burst of international art that transfigures the cultural landscape every December.

Miami Art Week brings together local and international art worlds. This is not only an opportunity for globally active galleries to present the best work of artists they represent. Miami art spaces, museums, community initiatives, individual artists and designers and collectives all rise to the occasion, too, to show their creative force to the world.

Diverse participants have diverse agendas. Whether you’re a collector, a curator, a creator, or an aficionado, focus on your passion—what would you like to discover?

Takeaways

  • Plan your itinerary to focus on one art corridor— either the mainland or the beach
  • Use the map guides offered at the venues you visit, mark your map - where you want to go and where you’ve been 
  • Take water and snacks, wear comfortable shoes
  • Do your homework, but be willing to improvise — follow your intuition!

Of Special Interest in 2019

BEFORE THE FAIRS: Dec 1, Miami—Progressive Brunch with local galleries | Dec 2, Miami Beach—Faena Festival

Dec 3-8 ART FAIRS Recommended: Art Basel Miami Beach, Design Miami, UNTITLED, NADA, PINTA and PRIZM 

EXHIBITIONS—Openings: The new Rubell Museum and El Espacio 23 in the Allapattah district | Teresita Fernandez at Pérez Art Museum Miami | Yayoi Kusama and Sterling Ruby at the Institute of Contemporary Art | Trenton Doyle Hancock at Locust Projects | Haegue Yang, Mickelene Thomas and Lara Favaretto, at the Bass Museum | Cecilia Vicuña at North Miami Museum of Contemporary Art

PUBLIC ART on Miami Beach—Collins Park, Lummus Park, on the beach and at the Convention Center

Related Episodes and Guides: Miami Art Week 2018 Preview, Miami Art Week 2017 Preview, How to Seize the Art Week Moment

Related Links: Art Basel Miami Beach, Rubell Museum, Pérez Art Museum Miami, Institute of Contemporary Art Miami, Museum of Contemporary Art North Miami, The Bass Museum, El Espacio 23

About Our Experts:

From Italy, Ombretta Agró-Andruff, is an independent curator and founder of ARTSail

residency and research initiative. The program connects artists and scientists to address

the climate change specific to South Florida through creative projects. From Israel, independent curator, art historian and critic Tami Katz-Freiman remembers Miami before Art Basel. Katz-Freiman curated the Israeli Pavilion in the 57th Venice Art Biennale. From the U.S., Kathryn Mikesell is co-founder and executive director of Fountainhead Residencies and Studios. The Residency offers artists from around the world a shared creative space and an introduction to Miami’s art scene.

Sound Editor: Anamnesis Audio

Tags: · · · · · · · · contemporary art · curator · community · exhibition

The Mind-Bending Mythology of Trenton Doyle Hancock

November 12th, 2019 · Comments

In November 2019, Houston-based artist Trenton Doyle Hancock brings his mythological “Moundverse” to Miami. Locust Projects gives over the entire space to his site-specific installation. The artist will immerse us in a world inspired by comic books, toys, horror films and animations.

For decades, Hancock has been telling the story of the Mounds (gentle hybrid plant-like creatures) protected by Torpedo Boy (Hancock’s alter ego), and their enemies, the Vegans (mutants who consume tofu and spill Mound blood every chance they get). In paintings, sculpture, drawings, prints, video and installation, the artist explores good and evil, authority, race and class, moral relativism, politics and religion.

This is not our first encounter with Trenton Doyle Hancock. He was among artists that curator Valerie Cassel Oliver selected for Radical Presence: Black Performance in Contemporary Art. The exhibition premiered in 2013 at the Museum of Contemporary Arts, Houston, and traveled across the United States. In Radical Presence, Cassel Oliver surveyed seminal black performance art. She invited artists into the exhibition to re-stage their performances.

We make our way to Houston to watch Hancock embody one of the characters in the narrative he began creating when he was 10 years old. For an evening performance titled “Devotion,” he becomes a singing Mound. He's massive. He's blindfolded. Cassel Oliver feeds him Jell-O. The spectacle is intimate, absurd and deeply spiritual.

The next morning, we wander through the artist’s mind. Our conversation explores the histories, objects and ideas that inform his work. His warehouse is awash in accumulating materials—cast-off toys, books and bottle caps, scraps of felt and fabric, cans of paint. Works in progress and finished collage paintings line the walls. A drum kit sits waiting in one corner. It seems unlikely that this artist will ever lose the desire to experiment and play with the fantastical characters that animate his inner world. 

Sound Editor: 2019 Anamnesis Audio; 2013 Eric Schwartz | Special Audio: Trenton Doyle Hancock

Related Episodes: Valerie Cassel Oliver on Black Performance in Contemporary Art, Tameka Norris on Channeling Personal History, William Pope.L Transforms the Black Factory into a Magic Lantern Show

Related Links: Locust Projects, Trenton Doyle Hancock at MASS MoCA, Radical Presence: Contemporary Black Performance Art

Tags: · · · · · · · contemporary art · black masculinity · black art · exhibition

CYJO on the Complexities of Photographing Identity

November 5th, 2019 · Comments

We shadow CYJO, a Miami-based  Korean American visual artist, as she navigates the complex maze of Art Basel Miami Beach in 2018. Her goal is to discover and document exceptional work in the photographic medium for the “Art Basel Miami Week Diary” that she contributes to the bilingual online publication L’Œil de la Photographie (The Eye of Photography).

Inside the fair, Gian Paolo Paci, of Paci Contemporary, in Bresi, Italy, introduces us to his gallery’s featured artist: American photographer Nancy Burson. Burson created some of the earliest photographic portraits using computer-morphing technology. 

Jared Quintan, Associate Director of Rhona Hoffman, in Chicago, deconstructs the symbolism in a photographic wall installation by Lorna Simpson, an African-American photographer and multimedia artist known for her singular approach to portraiture. Quintan also talks about intimate portraits by African American artist Deana Lawson, whose photographs reveal the body’s ability to channel personal and social histories.

A few weeks later, we meet CYJO in her studio, a light-filled loft that looks out over Biscayne Bay in Miami. We’re here to learn more about how the artist explores the complexities of identity, beauty and belonging through her own photography, video and text. 

Sound Editor: Anamnesis Audio

Related Episodes: Modern Portrait of Black Florida, Jillian Mayer on the Nude Selfie Project, Adam Schreiber on the Spatial Dynamics of Photography

Related Links: CYJO, Art Basel Miami Beach, L’Œil de la Photographie, Paci Contemporary, Rhona Hoffman Gallery

Tags: · · · · · · · · Fresh Talk · contemporary art · photography · community · art fair · exhibition

Contemporary Psyche on View in Venice Art Biennale

October 15th, 2019 · Comments

Philadelphia-based art historian Deborah Barkun talks about the pleasure and critical thinking that she discovers each time she explores the Venice Art Biennale and collateral events. Through her eyes, we understand that the venerated exhibition never fails to create a constellation of art encounters—always stimulating the senses and challenging the mind, always offering a glimpse into our contemporary psyche. 

58th Venice Art Biennale:

For the 2019 international art exhibition, London-based American curator Ralph Rugoff chose the title May You Live in Interesting Times. This is a phrase of English invention that has long been mistakenly cited as an ancient Chinese curse. The words ‘interesting times’ invoke periods of uncertainty, crisis and turmoil. Rugoff invited 79 artists from around the world who, in his words, “challenge existing habits of thought and open up our readings of objects and images, gestures and situations…entertaining multiple perspectives…holding in mind seemingly contradictory and incompatible notions, and juggling diverse ways of making sense of the world.”

The 2019 exhibition includes 89 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city center of Venice. Four countries are participating for the first time: Dominican Republic, Ghana, Madagascar, Malaysia, and Pakistan. Twenty-one Collateral Events taking place across the city widen the diversity of voices that characterizes the Biennale.

Read Deborah Barkun’s posts from the 58th Venice Art Biennale on instagram @freshartintl.

Sound Editor: Anamnesis Audio | Special Audio recorded in Venice May-June 2019

Romani Embassy performance by Delaine Le Bass, Music by Santino Spinelli

Related Episodes: Art Historian Playlist: Deborah Barkun Listens to Joana ChoumaliSamson Young: Songs for Disaster ReliefMark Bradford Connects Art with the Real WorldLisa Reihana on Reversing the Colonial GazeMonument to Decay: Israeli Pavilion in Venice

Related Links: Venice Art Biennale 

Related Images: Fresh VUE: 58th Venice Art BiennialFresh Vue: Venice Art Biennale 2017

Tags: · · · · · · · · Fresh Talk · contemporary art · art biennial · curator · political art · exhibition · technology · art tech

Oliver Beer on the Architecture of Sound

July 1st, 2019 · Comments

Where do you go to hear the voice of architecture?

At midnight, on the eve of the 14th Istanbul Biennial exhibition opening in 2015, we meet British sound artist Oliver Beer inside a 400-year old Turkish bath for an immersive acoustic experience. With microphone and recorder in hand, we follow him into the bath’s hot, steamy inner chamber, where young local opera singers are rehearsing for a one-night-only performance of his composition Call to Sound.

Revisiting our sonic encounter with the architecture of Istanbul is an opportunity to introduce the sound work that Oliver Beer brings to New York in 2019. Keep listening, to hear the site-specific project he created for The Met Breuer, home to the modern and contemporary art program of New York's Metropolitan Museum of Art. The Met's first commission of a sound-based installation, Oliver Beer: Vessel Orchestra is a musical instrument, a series of live performances, and an installation composed of thirty-two sculptures, utilitarian vessels, and decorative objects from the Museum collection.

Call to Sound Composer: Oliver Beer | Musical Director: Eray Altınbuken (ITU/MIAM)
Singers: Seren Akyoldaş, Ufuk Atar, Başak Ceber, Nur Diker, Murat Güney, Recep Gül, Baruyr Kuyumcıyan, Deniz Özçelik, Alin Aylin Yağcıoğlu, Canan Tuğberk

Sound Editors: 2015 Kris McConnachie; 2019 Anamnesis Audio | Call to Sound performance audio courtesy Oliver Beer; Oliver Beer: Orchestral Vessel installation sound courtesy Oliver Beer and The Met Breuer

Related Episodes: Oliver Beer Explores the Sound Chamber of a Turkish Bath, Camille Norment on the Character of a Sonic Environment

Related Links: Oliver Beer: Vessel Orchestra, Oliver Beer: Call to Sound, IstanbulKiliç Ali Paşa Hamam14th Istanbul Biennial

Tags: · · · · · Fresh Talk · sound art · collection · museum · architecture · exhibition

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