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Contemporary Psyche on View in Venice Art Biennale

October 15th, 2019 · Comments

Philadelphia-based art historian Deborah Barkun talks about the pleasure and critical thinking that she discovers each time she explores the Venice Art Biennale and collateral events. Through her eyes, we understand that the venerated exhibition never fails to create a constellation of art encounters—always stimulating the senses and challenging the mind, always offering a glimpse into our contemporary psyche. 

58th Venice Art Biennale:

For the 2019 international art exhibition, London-based American curator Ralph Rugoff chose the title May You Live in Interesting Times. This is a phrase of English invention that has long been mistakenly cited as an ancient Chinese curse. The words ‘interesting times’ invoke periods of uncertainty, crisis and turmoil. Rugoff invited 79 artists from around the world who, in his words, “challenge existing habits of thought and open up our readings of objects and images, gestures and situations…entertaining multiple perspectives…holding in mind seemingly contradictory and incompatible notions, and juggling diverse ways of making sense of the world.”

The 2019 exhibition includes 89 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city center of Venice. Four countries are participating for the first time: Dominican Republic, Ghana, Madagascar, Malaysia, and Pakistan. Twenty-one Collateral Events taking place across the city widen the diversity of voices that characterizes the Biennale.

Read Deborah Barkun’s posts from the 58th Venice Art Biennale on instagram @freshartintl.

Sound Editor: Anamnesis Audio | Special Audio recorded in Venice May-June 2019

Romani Embassy performance by Delaine Le Bass, Music by Santino Spinelli

Related Episodes: Art Historian Playlist: Deborah Barkun Listens to Joana ChoumaliSamson Young: Songs for Disaster ReliefMark Bradford Connects Art with the Real WorldLisa Reihana on Reversing the Colonial GazeMonument to Decay: Israeli Pavilion in Venice

Related Links: Venice Art Biennale 

Related Images: Fresh VUE: 58th Venice Art BiennialFresh Vue: Venice Art Biennale 2017

Tags: Fresh Talk · contemporary art · art biennial · identity · international biennial · invisible communities · curator · political art · opera · art podcast · biennial · venice · venice art biennale · exhibition · technology · art tech

How to Build the Creative Economy

October 8th, 2019 · Comments

How do healthy creative economies open the door for artists and innovators?

To answer this question, we take you to Nashville, Tennessee. Music City, U.S.A., aims to become the nation’s start up capital, too. Every year since 2012, Launch Tennessee hosts the 36|86 Entrepreneurship Festival to encourage new business endeavors. In 2019, Festival organizers invited Fresh Art International to curate a presentation around building the creative economy.

For a live audience gathered inside the historic Acme Seed & Feed building, we bring to the stage Nashvillian Harry Allen, boutique banker, Emily Best, Los Angeles based filmmaker and film producer, and Andrea Zieher, director of Tennessee’s near future contemporary art triennial. Our conversation reveals how the same risk taking and innovation that drive all startups fuel the most impactful creative entrepreneurship.

Takeaways: 

  • Recognize the value of cultural entrepreneurship. 
  • Work toward meaningful and inclusive community impact.
  • Optimize technology, forge real relationships and dedicate personal energy to increase opportunities for creators and facilitate greater access to cultural experiences.

Sound Editor: Anamnesis Audio | Live event recording courtesy Studio 208, Nashville

Related Episodes: Model Behavior—New Orleans Art Triennial Inspires Other Cities, Creative Hive Transforms Contemporary Art in Tampa, The Future of Art

Related Links: Seed&Spark, Studio Bank, TN Triennial, Tennessee Triennial36|86 Festival,

Tags: contemporary art · art biennial · curator · podcast · collection · community · art podcast · technology · art tech

Artist Playlist—Regina Frank Listens to Joan Jonas

September 16th, 2019 · Comments

This episode is part of our Playlist series. We’re inviting artists, curators, architects, filmmakers, cultural producers and other listeners to share favorites from the archive.

Based in Lisbon, German born artist Regina Frank has shown her work in New York, London, Los Angeles and Tokyo, among other cities globally. In recent projects, she explored environmental issues in performative installations at the Museum of Art Architecture and Technology, Lisbon, and BioArt 2018, Seoul, South Korea.

Here, Regina Frank introduces our conversation with renowned video and performance artist Joan Jonas, an episode first released on June 5, 2012.

Revisiting this episode is a moment to celebrate the latest chapter in Joan Jonas’s remarkable career. She represented the United States at the 56th Venice Art Biennale. In 2019, Jonas returns to Venice with an immersive, multimedia installation. Moving Off the Land II is the first public project in Ocean Space, a new global oceanic center in the restored Church of San Lorenzo.

Regina Frank writes: I have been listening to Fresh Art since Cathy Byrd launched the podcast in 2011. One episode that I love features Cathy’s conversation with artist Joan Jonas. In 1991, I met Joan Jonas for the first time. She gave a lecture at the University of the Arts in Berlin. What a wonderful artist! I am fascinated and inspired by her creative approach to combining video, performance and drawing. She saw my work and suggested that I speak to the new museum of contemporary art in New York. They gave me their window and the cover of their newsletter and catalogue a few months later, which marked the beginning of my own career, in 1992. While I was in Venice for the 58th Art Biennale, I spent hours exploring Joan Jonas’s great project in the Church of San Lorenzo. I watched every video from beginning to end.

Sound Editor 2019 Anamnesis Audio | 2012 Leo Madriz

Special Audio: Jason Moran, “He Takes His Coat and Leaves”

Feature photo: Joan Jonas, Moving Off the Land II, Ocean Space, Venice, 2019, courtesy TBA21 Academy

Related Episodes: Joan Jonas on The Shape, The Scent, The Feel of Things, Art with a Sense of Placed, Part One, Regina Frank on Performing at the Intersection of Art and Technology

Related Links: Joan Jonas, Ocean Space

 

Tags: contemporary art · art biennial · 56th Venice Art Biennale · performance art · international biennial · Artist · Jazz · Museum of Contemporary Arts Houston · environment · performance · music · dance · political art · architecture · architectural intervention · political performance art · environmental installation · art podcast · history · venice · venice art biennale · technology · art tech

How Paint and Pixels Power the Art of Allison Zuckerman

September 2nd, 2019 · Comments

New York-based artist Allison Zuckerman explains what drives her desire to distort conventions of female beauty and push art appropriation to a new high. In bright, bold collages, she mixes paint with pixels to create absurd and exaggerated hybrids—women claiming their presence and power in the world.

We meet during her 2018 exhibition at Miami’s Rubell Family Collection. The paintings on view are the wild fruit of a 2017 summer residency. When collectors Mera and Don Rubell offered Zuckerman the time and space to expand her artmaking, she seized the opportunity to go larger than life. In Fall 2019, curator Tami Katz-Freiman introduces Zuckerman’s wild pop-surrealist paintings to Israel, with a solo show at the Herzliya Museum of Art. 

Sound Editor: Joseph DeMarco

Related Episodes: Patricia Cronin on Making Art History, Zoë Buckman on Fight Mode, Kathleen Morris and the Year of Yes, ORLAN on Art Tech

 

Related Links: Allison Zuckerman, Rubell Family Collection, Herzliya Museum of Contemporary Art

 

Tags: contemporary art · internet · art podcast · feminist art · technology

Studio Drift Sends Up Swarming Ode to Apollo at 50

July 15th, 2019 · Comments

To honor the 50th Anniversary of the Apollo 11 moon landing this July, we introduce you to Studio Drift, two artists whose poetic work points to the moon and stars. During NASA festivities, a special edition of their airborne art will lift off from the Rocket Garden at the Kennedy Space Center. 

Amsterdam-based Lonneka Gordijn and Ralph Nauta work at the intersection of nature, art and technology. Their complex creative applications of new technology invite us to question the lines we draw between humanity and nature, chaos and order. In 2017, we meet the artists to talk about two of their curious experiments—an enormous concrete block hovering inside New York City’s Armory art fair, and 300 illuminated drones that swarmed in the night sky over Miami Beach during Art Week.

In 2018, after the South Florida premiere of Studio Drift: Franchise Freedom, the artists brought their drone starlings to sky watchers in Amsterdam, during their retrospective exhibition at the Stedlijk Museum, and to the Burning Man festival, in the northwest Nevada desert. This week, there’s a chance that millions of people watching the NASA celebration from afar will become virtual witnesses to the wonder of Studio Drift’s flying sculpture.

 

Sound Editor: Anamnesis Audio | Special Audio: Apollo 11 sounds via NASA website, Franchise Freedom music composed and played by Joep Beving for Studio Drift, Franchise Freedom live performance, Miami Beach, Florida, 2017, courtesy Fresh Art

 

Related Episodes: Drone Starlings in the Night Sky: Studio Drift on Nature and Culture, Steve Brown and Jesse Deeter Capture Burning Man on Film

 

Related Links: Studio Drift, National Air and Space Agency, Stedelijk Museum, Burning Man, Miami Art Week

 

What Studio Drift says about their July 16, 2019, ode to the NASA moon landing:

 

Lonneke Gordijn: The moon landing made us think about our lives here on earth more than life on the moon. That’s what our work Franchise Freedom is about, human behaviour on earth.

Ralph Nauta: The Apollo 11 moon landing exemplifies how technology can have a positive effect on humanity. Let’s take this as an example of what amazing possibilities we have if we put our minds together. It is our responsibility to use technology to build a sustainable future.

 

Tags: performance · art podcast · technology

The Art of Obsolete Media

June 24th, 2019 · Comments

In this episode, we revisit one of our live studio sessions from 2018: The Art of Obsolete Media. Web streaming on Jolt Radio, we introduce four Miami-based artists passionate about bygone technology: Barron Sherer, Kevin Arrow, Martha Raoli and Terence Price.

The initial spark for this conversation was Obsolete Media Miami (O.M.M.), a shared studio space and repository for all kinds of old media that Barron Sherer and Kevin Arrow launched and operated from 2015-2018.

On Fresh Art International, you’ll hear Sherer introduce the work of legendary filmmaker Jonas Mekas, and talk about his own complex film and video installation projects— presented in Miami, Florida, and Queens, Australia in 2018. Sherer opened a new studio space in February 2019. In 2020, he’ll launch the Moving Image Alliance, a nonprofit media arts resource and service organization to support contemporary moving image arts based on pre-digital cinema practices and technologies.

Kevin Arrow takes us on a tour of the Obsolete Media Miami space at the edge of Miami’s Design District. In early 2019, Arrow established Media and Archival Studies (M.A.S.), Miami with Stephanie Marie, the Manager of Special Collections and Archives at the Miami-Dade Public Library System. Among his upcoming local collaborations are a live “cinema + sound” experience at Bakehouse Art Complex, the activation of a planetarium dome at Booker T. Washington High School and the screening of a Maya Deren film at the North Miami Museum of Contemporary Art.

Artist and writer Martha Raoli talks about her 2018 performance with a manual typewriter at the Perez Art Museum, Miami. In 2019, Raoli launched her own radio show featuring live theremin performance. You can listen to "Etherwave Hour" on Jolt Radio every Saturday at 2pm.

Obsolete media inspired photographer Terence Price to create an entire body of work from family photo albums and home movies. After presenting his solo exhibition "Dancing in the Absence of Pain,” in early 2019, at Art Center South Florida (now Oolite Arts), he’s been preparing for upcoming shows and completing a residency with Oolite that will end in December 2019.

These Miami-based artists represent a penchant for the pre-digital among creatives the world over. Their bygone tech-infused pursuits emphasize the ongoing relevance of obsolete media in the field of contemporary art.

Sound Editor: Anamnesis Audio | Special Audio: Courtesy Jonas Mekas, Barron Sherer, Kevin Arrow, Martha Raoli, Terence Price

Related Episodes: Turning Analog Technology into Sound SculptureInside Miami's Sound ChamberORLAN on Art Tech

Related Links: Obsolete Media MiamiTerence PriceMartha RaoliBarron Sherer

Tags: Miami · community · art podcast · history · technology

Robert Chambers on Art, Ancient Plants, and New Technologies

March 4th, 2019 · Comments

Miami-based sculptor Robert Chambers lived in Everglades National Park for one month in 2018, as a Fellow in the Artist in Residence in Everglades program.

In the darkness outside his studio one night, the artist tripped on the roots of an ancient plant: The Saw Palmetto (in Latin, Serenoa repens), That’s when a hidden world began opening up to him.

In fact, the small palms are everywhere you look, native to the subtropical wilderness. The leaves are woven into the thatched roofs of indigenous pavilions you’ll find in Big Cypress, a wetlands preserve north of the national park. In some parts of the world, saw palmetto berries are cherished for their healing properties.

We meet Robert Chambers to explore his exhibition titled Serepens at the AIRIE Nest, an art gallery inside the Visitor Center. AIRIE curator Deborah Mitchell and two environmental scientists who’ve inspired his new body of work are here, too. Botanist Walter Abrahamson has been researching the saw palmetto for forty years. Hilary Swain directs the Archbold Biological Station, a center dedicated to research and conservation in the South Florida watershed.

Sound Editor: Anamnesis Audio

Related Episodes: Deborah Mitchell: The Artist as Guide to the EvergladesJenny Larsson on Searching for Arctic WinterAdam Nadel on Getting the Water RightArtist Residency in the EvergladesArt and the Environment at Miami's Deering EstateJorge Menna Barreto on Environmental SculptureAndrea Bowers on Environmental Activism

Related Links: Artist in Residence in Everglades (AIRIE)Everglades National ParkRobert ChambersArchbold Biological Station

Tags: contemporary art · artist residency · Artist · design · installation · environment · Perez Art Museum Miami · art podcast · exhibition · technology

Live from Trinidad: Where Digital Culture Thrives

October 15th, 2018 · Comments

From Port of Spain, Trinidad, we live stream a special radio program about the significance of digital media as a contemporary cultural space in the Caribbean. Joining us in our pop up studio are artist and writer Christopher Cozier, architect Sean Leonard, writer and media producer Janine Mendes-Franco, journalist and podcaster Franka Philip, and artist designer Kriston Chen—all based in Trinidad.

Listen to find out when the internet begin playing a vital connective role in the region and which social media platforms currently inform and inspire the local creative community. Hear diverse perspectives on how locally produced radio, citizen journalism and podcasting might diversify, amplify and document critical conversations about contemporary art and culture.

Sound Editor: Anamnesis Audio | Special Audio: Talk 'Bout Us/Trini Good MediaJamie Lee Lloyd, Unease, Caribbean Review of Gender Studies, University of West Indies, 20081000 Mokos, Douen Islands: In Forest and Wild Skies, featuring Sharda PatasarMoko Jumbie special on Kelly Village TV, 2017Sugar Cane ArrowsAttorney General TV news bulletin during 1990 attempted coup, via WondershareThe Street, 91.9FMIRadio.TT, Music Matters, The Caribbean Edition1990 Coup Special on Gayelle TVDavid Michael Rudder, Accapella on Instagram, 2018Don't Be Rude, mix created by Ozzy Merriq, 2011 

Related Episodes: LIVE from the Dominican Republic with Tilting Axis, Miami's Caribbean Arts RemixDiaspora Vibe: Art with Caribbean Roots

Related Links: Alice YardBocas Lit FestTrinidad and Tobago Film Festival#1000Mokos

Tags: · Fresh Talk · contemporary art · artist residency · public art · internet · identity · Artist · invisible communities · project · curator · black culture · podcast · design · installation · street performance · community · dance · architecture · art podcast · film festival · technology

Whithervanes: The Art of Anxiety

September 17th, 2018 · Comments

In 2018, Locust Projects invited the Detroit-based design duo known as root of two to bring three headless chickens to roost in Miami. For six months, Cezanne Charles and John Marshall embellish the Magic City skyline with their public art and digital engagement project.

Previously presented in France and the United Kingdom, Whithervanes translate the traditional weathervane into a 21st century radio transmitter. Mounted on rooftops in downtown, the Design District and Biscayne Boulevard, the four-foot tall birds change colors and direction in response to the climate of fear propagated by the media. These are tech-savvy chickens. They scan the Internet for alarmist keywords, collecting information on topics from violence to economic crises to natural disasters. You can follow their “neurotic, early worrying system”, or N.E.W.S. on the Whithervanes Twitter account.

Connecting art with streaming social media and news technology, Whithervane designers Cezanne Charles and John Marshall invite us to think about the emotional impact of the digital information that controls our view of the world.

Sound Editor: Anamnesis Audio | Photographs courtesy root of two and Locust Projects

Related episodes: Art of the EverydayArt and the Rising SeaReport from Miami Art Week 2017

Tags: · Miami · public art · activism · Artist · design · environment · community · architectural intervention · environmental installation · art podcast · technology · art tech

Turning Analog Technology into Sound Sculpture

July 30th, 2018 · Comments

 

Egyptian artist Magdi Mostafa's interactive environment for the 2018 Dakar Biennial of Contemporary African Art turns the sounds of analog technology into a vibrating aesthetic force. Acting like tiny radio receivers, his handmade electronics make audible the otherwise silent electro-magnetic fields emanating from today’s myriad digital devices. He exposes the reverberations of energy emission and loss in our battery powered, wi-fi connected contemporary communications. 

In “Transmission Loss,” electronic residue becomes the main signal—the core source of energy for an audio playscape. Mostafa invites us to turn a field of full frequency noise into a sonic composition. By tweaking the dials of tone generators and manipulating vibrating devices, we can alter sounds, discover patterns and explore the mysterious interactions of feedback and inter-device communication. 

Sound Editor: Jonathan Pfeffer | Special Audio and Photos courtesy Magdi Mostafa

Related Episodes:

Samson Young Presents Hong Kong Mixtape

Stephen Vitiello

Live from Dak'Art 2018

Related Links:

Magdi Mostafa

Dak'Art 2018

Tags: · sound art · Africa · sonic environment · installation · international art fair · architectural intervention · art podcast · biennial · technology · art tech