The Commuter Biennial aims to activate unseen margins of metro Miami. Local curators Laura Randall and Courtney Levine have organized a set of art experiences for those who spend hours navigating the city in cars, busses and trains. Over the span of four months, ten public art projects will pop up around this suburban landscape.

Two of the participating artists join Randall and Levine to introduce us to The Commuter Biennial. Artist Lily Martina Lee lives and works in Boise, Idaho. Lee’s art juxtaposes intimacy and anonymity—pointing out how forensic crime scene investigations have become embedded in our everyday reality. For her commuter-centered project, she creates public memorials in locations throughout Miami Dade County, where unidentified human remains were found. Since 2005, New York based artist Marie Lorenz has navigated waterways in her handmade boats designed to optimize tidal currents. Her passengers are privileged with intimate experiences on the water. For the roving biennial, she brings her Tide and Current Taxi to Miami.

Listen to this episode to hear the voice of positive thinking. Optimistic about the potential for art to transform the grind of suburban life, the tedium of public transit and the boring daily drive, the Commuter Biennial aspires to draw our gaze from the center to the fringe—suggesting that art belongs to everyone, everywhere, across metropolitan Miami. 

Related Episodes: Public Art Meets Poetry, Public Art Hopscotches Across Buenos Aires, Art of the Everyday, Creativity in Miami’s Public Realm

Related Link: Commuter Biennial

Artist Bill Fontana has a long-time relationship with sound and space. He's known for relocating sounds to create site-specific installations around the world.

Fontana describes his practice as "composition by listening." In this episode, we talk about what has inspired and informed his public art projects through the decades—from his 1981 Landscape Sculpture with Foghorns in San Francisco, to his 2018 Sonic Dreamscapes in Miami Beach.

Sound Editor: Anamnesis Audio | Special Audio: Bill Fontana

Related episodes: Inside Miami's Sound Chamber; Stephen Vitiello on Sound Art

Related links: Bill Fontana, City of Miami Beach Art in Public Places

Today, we take you to South Florida, for a conversation about public art with Swiss born artist Ugo Rondinone. Miami Mountain is the latest in his iconic Mountain series. The North American Badlands inspire the towering stack of five brightly colored neon stones that he designed to hold sway over the palm trees in Collins Park on Miami Beach. The Bass Museum of Art’s 2016 public art acquisition arrived in pieces. The boulders came from a quarry in Nevada, making their way to the beachfront park on flatbed trucks. A professional installation crew was ready and waiting. With industrial lifts and cranes, they erected the stone monument in a carefully calculated process that took just over 13 hours.

American artist Sanford Biggers has a lot to say about time and the human condition. We meet in New York where Chicago gallerist Monique Meloche is presenting an exhibition of his current projects during the Armory Show. I’m here to find out more about the ideas behind the work. What's motivating him to radically alter old quilts and African sculptures?

New York-based artist Lynda Benglis has been pouring, dripping, and splattering her way through unexpected media, color, and texture for decades. Her work sometimes shocks, and always surprises. Forty years after posing nude with a dildo for the photo that appeared in a full-page ArtForum advertisement, Lynda is at last being recognized for her significant impact on contemporary art. In this episode, we talk about her passion for creating and resurrecting fountains.

Surinamese-Dutch artist Remy Jungerman talks about how European modernism and Afro-religious aesthetics influence his art, and describes the recent public art project he created back in Morengo, his home town in Suriname. Selected for inclusion in Prospect.3, the 2014 contemporary art biennial in New Orleans, Remy's work will be on view in an exhibition at the Contemporary Arts Center from late October 2014, to January 2015.

Sound Editor: Kris McConnachie | Episode sound effects: Chris Quinlan, drum set and Evan Dyson, toad mating call

Related podcast: Fresh Talk: Franklin Sirmans