Fresh Art International

Franklin Sirmans on the Art of Fútbol

Art and Sports? Curator Franklin Sirmans brings them together in The World’s Game exhibition at the Perez Art Museum, Miami. Immersive installations, paintings, sculptural objects, photographs and videos by forty artists reveal how the universal language of this transnational game can define beauty, make social statements, create a sense of community and express a shared passion. Timed to coincide with the 2018 FIFA World Cup in Russia, the exhibition celebrates soccer as the portal to a world of contemporary art.

Sound Editor: Anamnesis Audio | Special audio: Stephen Dean, Volta and Perez Art Museum, Miami 

Concrete Dream: Miami Marine Stadium-Jolt Radio- 04Apr2018

Miami Marine Stadium inspires this tale of modernist architecture and Biscayne Bay, of speedboats and rock stars, of skateboarding, street art and a storm named Andrew. Advocates and artists, architects and restoration specialists tell the story. 

We begin with a flashback to our 2016 episode with dancer choreographer Hattie Mae Williams. Her creative intervention at the stadium is just one example of how the site has beckoned artists for decades. Fast forward to 2018. Miami’s International Boat Show has come the marine stadium’s home on Virginia Key for the third year in a row. The stadium is now in the first phase of a complete restoration. Don Worth, one of the founders of Friends of Miami Marine Stadium, talks about the ten years of activism that led to this moment. The stadium's original architect Hilario Candela, restoration architect Richard Heisenbottle, conservation specialists Rosa Lowinger and Kelly Ciociola explain the restoration process. Among local artists behind the 200 layers of paint that now cover the concrete venue, Hox and Abstrk voice their support for the stadium's face-lift. Over the next three years, the legendary venue will come back to life, reclaiming its identity as a top destination for cultural experiences in Miami.

Sound Editing: Anamnesis Audio | Special Audio from Concrete Paradise exhibition at Coral Gables Museum, courtesy of Little Gables Group | Feature photograph by Diana Larrea

The Private Life of Public Art-Jolt Radio-21Mar2018

Today's conversation reveals the role of private investment in temporary and permanent public art across the U.S. Contemporary art collector Cricket Taplin, who with her husband Martin Taplin once owned the legendary Sagamore Art Hotel on Miami Beach, explains her philosophy on collecting as a mode of civic engagement. Curators Claire Breukel and Dina Mitrani tell how they introduce the work of local and international artists through public art. Miami-based artists Rosario Marquardt and Roberto Behar of R&R Studios share stories behind their privately sponsored and public-funded projects from Florida to California. In a special Fresh Art International flashback, Dejha Carrington talks about the waterfront intervention she realized in 2016, through the Miami Foundation's Public Space Challenge.

Sound Editing: Anamnesis Audio | Special Audio courtesy the artist and James Cohan Gallery: Hiraki Sawa’s Hidden Tree, 2007 

Related links: Cricket Taplin and the Sagamore Art Hotel, Unscripted Bal Harbour, R&R Studios

How Jason Moran Amplifies Art and Jazz

American virtuoso Jason Moran is a genius jazz pianist known for performing experimental compositions in collaborative projects with visual artists—among them, Joan Jonas, Lorna Simpson, Glenn Ligon and Adrian Piper. For the 56th Venice Art Biennale, artistic director Okui Enwezor invited Jason to stage and animate two sound environments. The multi-faceted artist brings the full range of his creative practice into play for his first museum show at the Walker Art Center in Minneapolis this year. In our conversation, Jason Moran shares the discoveries he made while realizing recent collaborations with artists Julie Mehretu and Kara Walker.

Sound Editor: Anamnesis Audio | Special Audio courtesy Jason Moran: Summon, Katastrof Karavan, Three Deuces, He Puts on His Coat and Leaves

Women Writers on Cuba in Film

Today, we invite three women writers to talk about Cuba as a character in newly released films. Our portal to the Cuban psyche is the 35th Miami Film Festival that brings diverse cultural perspectives to the big screen in theaters across Miami, Florida. Sharing their expertise and personal knowledge of Cuba's socio-political landscape are two sisters born in Miami, to Cuban parents: writer and filmmaker Carmen Peláez and food writer Ana Sofia Peláez. New York based journalist and filmmaker Michelle Memran joins us to remember her own encounters with the culture while making a documentary film with Cuban American playwright María Irene Fornés.

In this conversation, we consider the value of creativity, resilience, family and friendship in Cuba. The country’s historic relationship and chaotic rupture with the Soviet Union is the backdrop for the three stories we introduce. (The 1989 fall of the Berlin Wall and collapse of the Soviet Union catapulted Cuba into a life-changing economic crisis from which Cubans around the world are still recovering.) The films: Cuban Food Stories, director Asori Soto; The Rest I Make Up, director Michelle Memran; and Sergio and Sergai, director Ernesto Daranas.

 

Sound Editor: Anamnesis Audio | Featured Sound Tracks courtesy of Miami Film Festival:  Cuban Food Stories, The Rest I Make Up, Sergio and Sergai

Kurt Andersen on How America Got Trumped

On Miami Beach, we meet American writer Kurt Andersen to talk about the role of creativity in the Trumping of America. Besides writing novels, he has opined on America’s political landscape for The New York Times, The New Yorker, and his own Spy Magazine. Kurt Anderson is host and co-creator of Studio 360, a New-York based culture magazine show. His latest books explore a certain peculiarity in America’s DNA: a deep passion for fiction and fantasy. He delves into the complexities of this unshakeable character trait in Fantasyland: How America Went Haywire and You Can't Spell America Without Me, a book he co-wrote with actor Alec Baldwin, our favorite Trump impersonator. Read these books and you will understand the United States in the age of the country’s 45th president.

 

Sound Editor: Anamnesis Audio | Featured audio track, You Can't Spell America Without Me via Penguin Press 

Cultural Complexity in Little Haiti

In this conversation, we talk about how the island country of Haiti has long inspired contemporary art, books and films and how the cultural complexity of immigrant communities is a creative force in South Florida. Come with us to the heart of Miami's Little Haiti neighborhood for a walk about with Carl Juste, a local cultural activist, photojournalist and artist whose family comes from Haiti and Cuba. Haitian-born writer Edwige Danticat introduces Foreigner's Home, a new film to premiere at the 35th Miami Film Festival. Miami-based curators Marie Vickles, Edouard Duval-Carrié and Tosha Grantham (with family ties to Greece and Africa, Haiti, Asia and America, respectively) talk about connecting cultural history to contemporary art in exhibitions at the Little Haiti Cultural Complex and share what sparked Visionary Aponte: Art & Black Freedom, the traveling exhibition that recently premiered in Miami. Cuban-born Lissette Mendez and Carl Juste share some of the stories behind the collective exhibition and book project Havana, Haiti and the annual Little Haiti Book Festival.

Curating Art in a Time of Global Change: IKT Norway

What does it mean to be a contemporary art curator in the 21st century? Perhaps subconsciously, it's about living up to the legacy of Harald Szeemann, a legendary art historian—acting on the impulse to experiment and introduce new ways of engaging with art. Follow us to Norway, where you'll meet a few of the curators gathering for the 2017 Congress of the International Association of Curators of Contemporary Art, also known as IKT (Szeemann was a founding member in 1973). In conversations on how the environment, design technology, consumer culture and geopolitical histories inspire art, they reveal a shared interest in exposing artists’ site specific perspectives through collective exhibitions and publications.

Thale Fastvold and Tanja Thorjussen, the two Norwegian artist curators of Locus Publishing in Oslo tell us about a collective artist book project that investigates how we relate to nature. They introduce their newest venture: “Concerning the Spiritual in Art.” Freek Lomme, director of Onomatopee Projects explains why he stages public interventions in the shopping district of Eindhoven, in The Netherlands. The sonic thread that connects these voices is the sound art of Norwegian artist Margrethe Pettersen.

Sound Editing: Anamnesis | Special Audio: Margrethe Pettersen, Living Land—Below as Above 

Prospect 4 New Orleans—The Lotus In Spite of the Swamp

Come with us to explore Prospect New Orleans, the Crescent City’s triennial of contemporary art. Titled The Lotus in Spite of the Swamp, the fourth iteration evokes the musical character of New Orleans and the surrounding natural environment—the bayous, lakes and wetlands near the mouth of the Mississippi River.

Voices in this episode: Prospect.4’s artistic director Trevor Schoonmaker, former executive director Brooke Davis Anderson, artists Quintron and Miss Pussycat, Paulo Nazareth, Sonia Boyce, Rusty Lazer, Darryl Montana, Davia Nelson of the Kitchen Sisters, and more!

 

Making a Mountain in Miami: Ugo Rondinone's Bright Boulders

Today, we take you to South Florida, for a conversation about public art with Swiss born artist Ugo Rondinone. Miami Mountain is the latest in his iconic Mountain series. The North American Badlands inspire the towering stack of five brightly colored neon stones that he designed to hold sway over the palm trees in Collins Park on Miami Beach. The Bass Museum of Art’s 2016 public art acquisition arrived in pieces. The boulders came from a quarry in Nevada, making their way to the beachfront park on flatbed trucks. A professional installation crew was ready and waiting. With industrial lifts and cranes, they erected the stone monument in a carefully calculated process that took just over 13 hours.