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Entries from June 2019

The Art of Obsolete Media

June 24th, 2019 · Comments

In this episode, we revisit one of our live studio sessions from 2018: The Art of Obsolete Media. Web streaming on Jolt Radio, we introduce four Miami-based artists passionate about bygone technology: Barron Sherer, Kevin Arrow, Martha Raoli and Terence Price.

The initial spark for this conversation was Obsolete Media Miami (O.M.M.), a shared studio space and repository for all kinds of old media that Barron Sherer and Kevin Arrow launched and operated from 2015-2018.

On Fresh Art International, you’ll hear Sherer introduce the work of legendary filmmaker Jonas Mekas, and talk about his own complex film and video installation projects— presented in Miami, Florida, and Queens, Australia in 2018. Sherer opened a new studio space in February 2019. In 2020, he’ll launch the Moving Image Alliance, a nonprofit media arts resource and service organization to support contemporary moving image arts based on pre-digital cinema practices and technologies.

Kevin Arrow takes us on a tour of the Obsolete Media Miami space at the edge of Miami’s Design District. In early 2019, Arrow established Media and Archival Studies (M.A.S.), Miami with Stephanie Marie, the Manager of Special Collections and Archives at the Miami-Dade Public Library System. Among his upcoming local collaborations are a live “cinema + sound” experience at Bakehouse Art Complex, the activation of a planetarium dome at Booker T. Washington High School and the screening of a Maya Deren film at the North Miami Museum of Contemporary Art.

Artist and writer Martha Raoli talks about her 2018 performance with a manual typewriter at the Perez Art Museum, Miami. In 2019, Raoli launched her own radio show featuring live theremin performance. You can listen to "Etherwave Hour" on Jolt Radio every Saturday at 2pm.

Obsolete media inspired photographer Terence Price to create an entire body of work from family photo albums and home movies. After presenting his solo exhibition "Dancing in the Absence of Pain,” in early 2019, at Art Center South Florida (now Oolite Arts), he’s been preparing for upcoming shows and completing a residency with Oolite that will end in December 2019.

These Miami-based artists represent a penchant for the pre-digital among creatives the world over. Their bygone tech-infused pursuits emphasize the ongoing relevance of obsolete media in the field of contemporary art.

Sound Editor: Anamnesis Audio | Special Audio: Courtesy Jonas Mekas, Barron Sherer, Kevin Arrow, Martha Raoli, Terence Price

Related Episodes: Turning Analog Technology into Sound SculptureInside Miami's Sound ChamberORLAN on Art Tech

Related Links: Obsolete Media MiamiTerence PriceMartha RaoliBarron Sherer

Tags: Miami · community · art podcast · history · technology

Curating and Creative Resilience with IKT in Miami

June 17th, 2019 · Comments

What does "creative resilience" mean for curators in the year 2019? 

One evening, we decide to find out. Setting up a temporary recording studio in a poolside cabana, at a Miami Beach hotel, we sit down with a dozen curators and cultural producers to document their stories. In this marathon recording session, you’ll hear curatorial strategies for engaging new communities, increasing the visibility of underrepresented artists, and addressing some of today's most pressing social, political and environmental challenges.

We recorded this special program when the annual Congress of the Association of International Curators of Contemporary Art (IKT) took place in the United States for the first time. Curators from the U.S., Europe and the Caribbean gathered in Miami, Florida, to explore the contemporary art scene and participate in a symposium about art and resilience in the climate crisis.

Voices in the episode: (alpha order) Eva Asp, Bayardo Blandino, Aldeide Delgado, Yucef Merhi, Thale Fastvold and Tanja Torjussen, Michele Fiedler, O'Neil Lawrence, Lorie Mertes, Najja Moon, Marina Reyes Franco, Sofía Shaula Reeser-del Rio

Sound Editor: Anamnesis Audio | Special Audio: (in order of appearance) Spectres in Change: FoAM / Maja Kuzmanovic and Nik Gaffney; The Quilt Performing Arts Group for Beyond Fashion exhibition, National Gallery of Jamaica; Contemporary Art Museum of Caracas (Hacked!) 2000-2004; The BLCK Family Dinner

Related Episodes: Art and the Climate Crisis with IKT MiamiArt and the Rising SeaCurating in a Time of Global Change: IKT NorwaySounds of Contemporary Art in Norway with IKT

 

Related Links: International Association of Curators of Contemporary ArtFoAM Spectres in ChangeSala de Arte Público SiqueirosContemporary Art Museum of Caracas (Hacked!) 2000-2004National Gallery of JamaicaResisting ParadiseLocust ProjectsThe BLCK FamilyGävle KonstcentrumInternational Cities of Refuge NetworkSALA MAC / Contemporary Visual Arts Center of Women in the Arts in HondurasWomen Photographers International ArchiveLocus Art

Tags: contemporary art · Miami · photography · activism · Artist · curator · black art · environment · art podcast

Sounds of the 57th Venice Art Biennale Revisited

June 3rd, 2019 · Comments

Venice is proven as a top destination for international contemporary art. The 58th Venice Art Biennale opened on May 11, 2019, and will be on view for the next six months. Thank you to Philadelphia-based art historian Deborah Barkun for contributing views from Venice on Instagram. Follow her encounters @freshartintl.

Today, we revisit a selection of sonic encounters at the 57th Venice Art Bienniale, when Italy was the first stop on a six-week Fresh Art International field expedition. In May 2017, preview days for the global exhibition presented an ephemeral opportunity to record the voices of curators, artists, and sounds of installations, performances and events. This episode features our experiences in the pavilions of France, Germany and Nigeria, and our walk through Egyptian artist Hassan Khan’s outdoor sound environment. Artist Carolee Schneemann (1939-2019) was honored with the Golden Lion for lifetime achievement at the 57th Art Biennale. In her memory, we share the conversation we recorded with Schneemann just days before we watched her accept the prestigious award at the opening ceremony.

Sound Editor Guney Ozsan | Special Audio: French Pavilion—pianist Federico Tibone, vocalist Farrah el Dibany, experimental media artist duo My Cat is an Alien; German Pavilion—Vernissage TVfield recording,  Billy Bultheel's musical composition for Faust; Nigerian Pavilion—performance by choreographer and dancer Qudus Onikeku; Hassan Khan, Composition for a Park, ambient recordings by Andrew Russeth and Fresh Art International

Related Episodes: Samson Young: Songs for Disaster ReliefLisa Reihana on Reversing the Colonial GazeMonument to Decay: Israeli Pavilion in VeniceMark Bradford Connects Art with the Real World

Related Links: Venice Art BiennaleFresh VUE 57th Venice Art Biennale

About the 57the Venice Art Biennale: Christine Macel curated the main exhibition Viva Arte Viva, described as a “Biennale designed with artists, by artists and for artists.” Macel called it an Exhibition inspired by humanism. For her, direct encounters with the artists assumed a strategic role. Of the 120 invited artists, 103 were participating for the first time.

About Carolee Schneemann: Starting as a painter in the 1950s, in the 1960s, the artist began using her own body as material in experiments with film, music, poetry, dance, and performance. Her fearless artmaking explored body, narrative, sexuality and gender, in ways that challenged cultural and political taboos.

Tags: Fresh Talk · contemporary art · sound art · sonic environment · performance art · international biennial · podcast · installation · performance · political art · art podcast · biennial · venice · venice art biennale